A little whimsy, now and then, makes for good balance. Theoretically, you could find this type of humor anywhere. But only a topflight science-fictionist, we thought, could have written this story, in just this way….

“Yes,” the calm, inflexible thought came. “You are right. We are the hamsters from the laboratory. The pigs carried for your experiments and tests.” There was almost a note of humor in the thought. “However, we hold nothing against you, I assure you. In fact, we have very little interest in your race, one way or another. We owe you a slight debt for helping us along our path, bringing our destiny onto us in a few short minutes instead of another fifty million years. For that we are thankful…”

In the years following World War III, a new and powerful faith has arisen from a scorched and poisoned Earth, a faith that embraces the architect of world wide devastation. The Servants of Wrath have deified Carlton Lufteufel and re-christened him the Deus Irae. In the small community of Charlottesville, Utah, Tibor McMasters, born without arms or legs, has, through an array of prostheses, established a far-reaching reputation as an inspired painter. When the new church commissions a grand mural depicting the Deus Irae, it falls upon Tibor to make a treacherous journey to find the man, to find the god, and capture his terrible visage for posterity.

The Hugo Award Winner-1963 It’s America in 1962. Slavery is legal once again. The few Jews who still survive hide under assumed names. In San Francisco the I Ching is as common as the Yellow Pages. All because some 20 years earlier the United States lost a war—and is now occupied jointly by Nazi Germany and Japan. This harrowing, Hugo Award-winning novel is the work that established Philip K. Dick as an innovator in science fiction while breaking the barrier between science fiction and the serious novel of ideas. In it Dick offers a haunting vision of history as a nightmare from which it may just be possible to awake.

Preserved in typed and hand-written notes and journal entries, letters and story sketches, Philip K. Dick’s Exegesis is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. The Exegesis of Philip K. Dick will make this tantalizing work available to the public for the first time in an annotated two-volume abridgement. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick’s brilliant, and epic, final work.

The claws were bad enough in the first place—nasty, crawling little death-robots. But when they began to imitate their creators, it was time for the human race to make peace—if it could!

Many thousands of readers consider Philip K. Dick the greatest science fiction mind on any planet. Since his untimely death in 1982, interest in Dick’s works has continued to mount and his reputation has been further enhanced by a growing body of critical attention. The Philip K. Dick Award is now given annually to a distinguished work of science fiction, and the Philip K. Dick Society is devoted to the study and promulgation of his works. This collection includes all of the writer’s earliest short and medium-length fiction (including some previously unpublished stories) covering the years 1954-1964. These fascinating stories include “Service Call”, “Stand By”, “The Days of Perky Pat”, and many others.

Nothing moved or stirred. Everything was silent, dead. Only the gun showed signs of life ... and the trespassers had wrecked that for all time. The return journey to pick up the treasure would be a cinch ... they smiled.

Since his untimely death in 1982, interest in Philip K. Dick’s works has continued to grow, and his reputation has been enhanced by an expanding body of critical appreciation. This fifth and final volume of Dick’s collected works includes 25 short stories, some previously unpublished.

Conger agreed to kill a stranger he had never seen. But he would make no mistakes because he had the stranger's skull under his arm.

Confessions of a Crap Artist is one of Philip K. Dick’s weirdest and most accomplished novels. Jack Isidore is a crap artist—a collector of crackpot ideas (among other things, he believes that the earth is hallow and that sunlight has weight) and worthless objects, a man so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But seen through Jack’s murderously innocent gaze, Charlie and Juddy Hume prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack’s, but a great deal uglier.

Philip K. Dick, Mary and the Giant , written 1953-55, first published 1987. Mary Anne Reynolds yearns to escape the confines of Pacific Park, California; of her abusive father; and of her stifling existence. Her struggle for identity leads her to the California jazz scene, to several older men, and to a reality as strange and gripping as any of Philip Dick’s science fiction. Mary and the Giant is a deeply affecting tale of hope and tragedy as seen through the eyes of a frighteningly real young woman.

Earth maintained an important garrison on Asteroid Y-3. Now suddenly it was imperiled with a biological impossibility—men becoming plants!

Fourteen strangers came to Delmak-O. Thirteen of them were transferred by the usual authorities. One got there by praying. But once they arrived on that planet whose very atmosphere seemed to induce paranoia and psychosis, the newcomers found that even prayer was useless. For on Delmak-O, God is either absent or intent on destroying His creations.

This collection includes all of the writer’s earliest short and medium-length fiction (including some previously unpublished stories) covering the years 1952-1955. These fascinating stories include “Beyond Lies the Wub”, “The Short Happy Life of the Brown Oxford”, “The Variable Man”, and 22 others.