Pierre ruins everything-friendships, love, fatherhood-in his headlong race against time. As he rushes through life, he fails to appreciate those things that are of true value-the tendernesses shown to him by his wife, Hedwige, the poetry of the world. He burns himself up, and burns up those around him, in a constant striving for goals that change as soon as he reaches them. Too late, he will realize that in his haste, he has been hurrying only to arrive more quickly at a meeting with death.

"It is after experiencing life that I have returned here to think about myself." Paul Morand was a diplomat, traveller, socialite and one of the most erudite and original writers of the twentieth century. Venices is his typically unconventional autobiography: an evocative account of a remarkable life lived surrounded by the remarkable. Its poised, impressionistic, poetically vivid scenes add up year-by- year to a rich meditation, full of astonish- ing portraits and memories, joy as well as melancholy. Though Morand's reputation was mar- red for years by his involvement with the collaborationist Vichy government, this book, in its effortless elegance, demonstrates why his influence has been so great. The thread that holds it taut throughout is Venice, the city to which Morand always returned.

Composed before and during the first months of the First World War, Paul Morand did not publish these stories until 1921. Clarissa, Delphine and Aurora - three alluring and independent young women - are stories set largely in London, a city he loved and which continued to fascinate him long after he worked there as an attaché at the French embassy.Stylish, poetic and highly original, Morand's urbane and witty stories came as a bracing and uplifting breath of fresh air on the French literary scene of the 1920s. They made an immediate impact on writers as diverse as Proust, Cocteau and Giraudoux, and paved the way for Morand's illustrious literary career that was to follow.